The Royal Danish Theatre was and is a key institution for cultivating and examining Danish national identity, but its significance largely owed to a marked transnational outlook and artistic exchange. From its foundation in 1748, the theatre attracted the foremost international artists and Danish artists travelled extensively. The theatre thus mirrors the broader history of the long 19th century’s formation of national identities which paradoxically relied on intense transnational exchange. ArtEx will conduct the first major study of the theatre’s internationally unique and remarkably extensive archive combining digital tools and qualitative case studies with the objective of exploring 1) How artistic practices and aesthetic ideas intersected and travelled across Europe 1748-1948; 2) how cultural exchange help us understand how art, artists and institutions of art act as agents for shaping (trans)national identities; and 3) how European spaces and cultures are imagined and performed.
CHC is responsible for developing three ‘digital tools’ that support qualitative case studies of artists’ travel routes and visual/image-based comparisons of image data such as design sketches, pictorial inventories, and protocols.
The project was awarded a grant of DKK 6.191.225 by the Independent Research Fund Denmark
CHC offers database development from the initial design of the database schema to the final online website presenting your data in a nice and intuitive design fitting your specific project needs.